{"title":"Art and Avant-garde","description":"\u003cp dir=\"ltr\"\u003eIn collaboration with \u003ca href=\"https:\/\/www.cassiusandco.com\/books\"\u003eCassius and Co. Gallery\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFine and rare art books and ephemera. From painting and photography to architecture and design.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"bhattacharyya-krishnachandra-studies-in-philosopy-edited-by-gopinath-bhattacharyya","title":"BHATTACHARYYA, Krishnachandra. Studies in Philosophy … Edited by Gopinath Bhattacharyya.","description":"\u003cp\u003e\u003cstrong\u003eBHATTACHARYYA, Krishnachandra.\u003c\/strong\u003e Studies in Philosophy … Edited by Gopinath Bhattacharyya. ~i~Calcutta: Progressive Publishers. [1956-58.]\u003c\/p\u003e\n\u003cp\u003eTwo volumes, 8vo. Original cloth with dust-wrappers (not price-clipped); xiv, [2], 366; xxxi, 360, portrait-frontispiece; light darkening and marginal fraying to wrappers, volume one with ms. notes on rear fly-leaf, otherwise fine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVery rare first edition, first impression\u003c\/strong\u003e, volume two with the cloth binding upside down around the book block.\u003c\/p\u003e\n\u003cp\u003eThis the first edition of the complete works by one of the leading Indian philosophers of the first half of the 20th century. 'Krishna Chandra Bhattacharyya is an early comparative philosopher of the Indian colonial period. To overcome cultural subjection, he developed creative Vedantic approaches to Kant and Hegel, and vice versa. Contributing to the fields of metaphysics, epistemology, ethics, aesthetics and politics, he elaborated an intercultural framework through which to address the problems of knowledge of the self, subjectivity and freedom, and the alternation of Absolutes in philosophy, answering Kant's Critiques with Neo-Vedantic analyses' (\u003ci\u003eThe Encyclopaedia of Philosophy of Religion, edited by Stewart Goetz and Charles Taliaferro\u003c\/i\u003e).\u003c\/p\u003e\n\u003cp\u003eA second revised edition appeared in 1983.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eLibrary Hub locates copies in the BL, at Oxford, King's College and at Durham University only.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2117586\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":55120622944633,"sku":"2117586","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/products\/2117586.jpg?v=1683977658"},{"product_id":"ferlinghetti-lawrence-pictures-of-the-gone-world","title":"FERLINGHETTI, Lawrence. 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Missing wrapper; unpaginated, pp. [xl]; the poems numbered 1-27; the covers a little toned to edges (more so to lower cover) with some light shelf marking and dirt marks; internally rather clean; \"To Arnold + Nancy Per\/ Truly - Lawrence Ferlinghetti\" in pencil to upper cover, poem \"Don't let that horse…\" in Ferlinghetti's hand to verso of title page.\u003c\/p\u003e\n\u003cp\u003eSecond edition, priced 50 c, \u003cstrong\u003ea unique presentation copy inscribed in pencil by Ferlinghetti on the upper cover, and with the manuscript poem \"Don't let that horse…\" written in pencil in his hand inside the upper cover.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1951 Ferlinghetti settled in San Francisco, opening the City Lights Pocket Book Shop in 1953. It quickly became a gathering place for the city’s literary avant-garde. Under his new imprint, the City Lights press, he began to publish poetry, and \u003ci\u003ePictures of the Gone World\u003c\/i\u003e was released just a couple of years later. His new \u003ci\u003ePocket Poet Series\u003c\/i\u003e formed an iconoclastic body of work which promoted names as ground-breaking as O'Hara, Patchen, Kaufman, William Carlos Williams and Ginsberg to name merely a few. By the time the series ended in 1982 it had stretched to forty titles and included Allen Ginsberg's infamous \u003ci\u003eHowl\u003c\/i\u003e (number four in the series).\u003c\/p\u003e\n\u003cp\u003eFerlinghetti’s own lucid, good-natured, witty verse was, like many of his contemporaries, written in a conversational style that was designed to be read aloud. 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Isou’s provocations extended beyond literature: the uproar in Cannes over his 1951 film \u003ci\u003eTraité de bave et d’éternité\u003c\/i\u003e (Treatise on Slime and Eternity) famously prompted Jean Cocteau to call it “the most beautiful scandal”.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2120325\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":55673354191225,"sku":"2120325","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2120325.jpg?v=1721723488"},{"product_id":"ed-foer-johnathan-safran-a-convergence-of-birds","title":"CORNELL, Joseph; Jonathan Safran FOER ( editor ). 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Original red card wrappers with white and black lettering; inscription on the half-title, \"For Mark (Love heart symbol) - Damien XXX Fuck 'em all!\"; pp. 35, minimal white stains on front cover and slight corner crease to rear; evidence of rubbing along spine; otherwise near fine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e First Edition inscribed to Zodiac Mindwarp.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA presentation copy from Hirst, the recipient of this book is the revered rock singer Zodiac Mindwarp (real name Mark Madding) who also was a fellow contributer to \u003ci\u003eIdler Magazine\u003c\/i\u003e as a graphic designer. This collection of 13 poems was written by Damien Hirst, produced to accompany his exhibition ‘Romance in the Age of Uncertainty’ at White Cube. On the last page and inside the rear cover, Hirst has doodled various intimate apocolypstic phrases; \"I speak In Tongues!\", \"I can hear you Scream\". 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Adhering to the Surrealist tradition, the poet ‘illustrates’ the images, not the opposite: upon Man Ray’s return, Eluard had paired each drawing with a poem. 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Original white pictorial boards lettered in black, perfectly preserved in original glassine wrapper; spine lightly bumped; near fine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst edition, hardcover, with an intimate engraving on Japanese Misumi white paper, 'Suffer Love', numbered 66\/250 and signed by Emin, encased in a glassine envelope.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis compilation of 1001 illustrations, devoid of context, form the abstract diary of an artist who has consistently embraced raw emotional authenticity in her work. \u003ci\u003eOne Thousand Drawings\u003c\/i\u003e, an iconic body of work expressed through beautifully intimate scrawls, invites the viewer to trace the emotional breadth of a bold and prolific creative.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2120580\u003c\/p\u003e","brand":"Henry Sotheran Limited","offers":[{"title":"Default Title","offer_id":53515148394873,"sku":"2120580","price":2750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2120580_85af86ff-0a9f-467b-b537-688445100c31.jpg?v=1723710252"},{"product_id":"ferlinghetti-lawrence-back-roads-to-far-places","title":"FERLINGHETTI, Lawrence. Back Roads To Far Places.","description":"\u003cp\u003e\u003cstrong\u003eFERLINGHETTI, Lawrence.\u003c\/strong\u003e Back Roads To Far Places. \u003ci\u003eNew York: New Directions\u003c\/i\u003e. 1971.\u003c\/p\u003e\n\u003cp\u003eSmall 4to. Black and white front card cover with illustration of a building in abstract white; white back card cover with black lettering; black lettering to white spine; [unpaginated]; fading to black cover; very faint indentation on top of front cover; red stamp of 'Laurence Pollinger Ltd' to end paper; otherwise near fine.\u003c\/p\u003e\n\u003cp\u003eFirst edition. Ferlinghetti's single long poem \u003ci\u003e Back Roads To Far Places \u003c\/i\u003e is not a translation, although it echoes a variety of Japanese poetry and Tibetan Budhist texts, collating the two to form a new, progressive American mantra. Lawrence Ferlinghetti is a heralded activist of the arts, always asserting the universality of literature and the injustice of its inassessibility to all. In 1953, Ferlinghetti established The City Lights Book Shop in San Francisco which became the epicentre for a generation of avant-garde writers as well as a publishing house of its own. Ferlinghetti’s volume of poetry Pictures of the Gone World (1955) was the first publication in the series.\u003c\/p\u003e\n\u003cp\u003eNew Directions was established in 1936 out of advice from James Laughlin to Ezra Pound to \"do something useful\". 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Double number edition of the \u003ci\u003eVerve\u003c\/i\u003e art revue showcasing only the works of Pablo Picasso.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eVerve\u003c\/i\u003e, the modernist Parisian art magazine at the forefront of the radical creative aesthetic of its time, was first published in 1937 with famous cover artwork by Henri Matisse. Subsequently, it was responsible for showcasing the most distinguished characters of the Parisian art scene of the 20th century, including textual contributions by prominent transgressive authors such as James Joyce. This edition features accompanying words by Rebecca West and prolific Surrealist writer and anthropologist Michel Leiris.\u003c\/p\u003e\n\u003cp\u003eIts founder Teriade (pseudonym of the Greek, Stratis Eleftheriades), made the statement, “\u003ci\u003eVerve\u003c\/i\u003e was born in December 1937. In times of agony, such things happen, when there are big crises, when we are really desperate and we do have nothing to lose, or rather, we are afraid that everything will be lost while waiting for disaster … Then at this precise moment everyone is able to act, even to act with passion\".\u003c\/p\u003e\n\u003cp\u003eThe year of this publication, 1954, marked the death of Picasso's artistic rival but great friend Henri Matisse and his passing considerably affected Picasso, who in some way relied on their competition as a catalyst. 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Original beige wrappers with fold-over flaps; black title lettering in black; pp. unpaginated; pages lightly toned with minimal spotting to front end paper; otherwise very good.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSigned by both Eluard and Ernst and intriguingly inscribed by Eluard (in French) 'To Mr and Mrs Edwin Sisler, this book, of which I only did a third', possibly insinuating the presence of a third collaborator. Second Edition (this work numbered 558 of the run of 1860).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA landmark of Surrealism and the first collaboration between two of the movement’s most essential and revered contributors. Combining Ernst’s images with Eluard’s poetry, \u003ci\u003eLes Malheurs Des Immortels\u003c\/i\u003e explores the relationship between painting and poetry, ‘the role of the image as an icon of psychic processes and the ambivalent status of the scopic function, or the reversibility of blindness and revelation’.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2120864\u003c\/p\u003e","brand":"Henry Sotheran Limited","offers":[{"title":"Default Title","offer_id":53479905984889,"sku":"2120864","price":2450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2120864.jpg?v=1728470706"},{"product_id":"apollinaire-guillaume-meditations-esthetiques-les-peintres-cubistes","title":"APOLLINAIRE, Guillaume. 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Original yellow paper wrappers with title lettered in black to covers and spine; a collection of black and white illustrations throughout the text; pp. 229; Yellow covers slightly soiled with spine sunned and stained, otherwise very good.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst edition of the primary source for Donald Judd’s early writing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeginning in 1959, American artist Donald Judd made influential contributions as an art critic to a myriad of periodicals, including Arts, Arts Magazine, and Art International. His reviews and essays offer meticulous analyses of the works of more than five-hundred artists exhibited in New York during the early to mid-1960s, illuminating this pivotal period in American art. 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Atlas Arkhive. Seven Documents of the Avant-Garde: Brus Muehl Nitsch Schwarzkogler Writings of the Vienna Actionists edited and translated … in collaboration with the a…","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eProvocative Performance Art\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBRUS, Günter, Otto MUEHL, \u003ci\u003eand\u003ci\u003e Herman NITSCH; Malcolm GREEN (\u003ci\u003eeditor and translator\u003ci\u003e).\u003c\/i\u003e\u003c\/i\u003e\u003c\/i\u003e\u003c\/i\u003e\u003c\/strong\u003e Atlas Arkhive. Seven Documents of the Avant-Garde: Brus Muehl Nitsch Schwarzkogler Writings of the Vienna Actionists edited and translated … in collaboration with the artists. \u003ci\u003eLondon: Atlas Press\u003c\/i\u003e. 1998.\u003c\/p\u003e\n\u003cp\u003eSquare 8vo. Original white wrappers, in white dust-jacket signed by Brus, Muehl and Nitsch in pencil to front panel, black cloth slipcase; pp. 257, [1], [6 (translator’s notes)]; with pamphlet loosely inserted; slight discoloration to wrappers; near fine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited first edition, no. 90 of 100 copies signed by the artists, accompanied by a pamphlet containing ten photographs which had been censored from the book (one of 100 \u003ci\u003ehors commerce\u003c\/i\u003e copies from a total edition of 200).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArguably the most provocative performance artists of the twentieth century, The Viennese Actionists pushed the boundaries of performance art. As four of the most radical Actionists, Brus, Muehl, Nitsch and Schwarzkogler caused wide controversy by violently confronting the sensibilities of midstream bourgeois society, and forcing it to acknowledge repressed memories of the 1930s and '40s.\u003c\/p\u003e\n\u003cp\u003eGunter Brus served a six-month prison sentence following the performance \u003ci\u003eArt and Revolution\u003c\/i\u003e in 1968 during which he sang the Austrian National Anthem while covered in his own faeces. Similarly, Nitsch was imprisoned for enacting extreme sex acts, sometimes involving animals. In the Hamburg Film Festival, in \u003ci\u003ePiss Aktion\u003c\/i\u003e, Muehl stood naked and urinated into Brus’ mouth live on stage. \u003ci\u003eAtlas Arkive Seven\u003c\/i\u003e is a complete compilation of their extensive bodies of works.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2121322\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":54939162182009,"sku":"2121322","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2121322_8b368cbe-afc9-47dc-b0f0-97f05257e217.jpg?v=1781104650"},{"product_id":"gadney-reg-co-editor-and-contributor-granta-vol-69-no-1240","title":"GADNEY, Reg [ co-editor and contributor ]. Granta. Vol. 69. No. 1240.","description":"\u003cp\u003e\u003cstrong\u003eGADNEY, Reg [\u003ci\u003eco-editor and contributor\u003ci\u003e].\u003c\/i\u003e\u003c\/i\u003e\u003c\/strong\u003e Granta. Vol. 69. No. 1240. \u003ci\u003eCambridge\u003c\/i\u003e, November 28th, 1964.\u003c\/p\u003e\n\u003cp\u003e4to. Original lithographic wrappers, designed by Oliver Hawkins, pp. 32, including the four-page pull-out supplement \u003ci\u003eCatalogue of the first international exhibition of concrete, phonetic and kinetic poetry held in the Rushmore rooms, St. Catherine's College, Cambridge\u003c\/i\u003e on grey paper (not pulled out), illustrations throughout, a very good copy.\u003c\/p\u003e\n\u003cp\u003eVery rare complete and in this condition, an important issue of this students' magazine. 'So in 1964 all four of us [Reg Gadney, Philip Steadman, Mike Weaver and Stephen Bann] decided to put on the exhibition which we called rather grandly the \u003ci\u003eFirst International Exhibition of Concrete and Kinetic Poetry\u003c\/i\u003e. The kinetic element was partly because Reg Gadney was a close friend of one of the leading kinetic artists in Paris, Frank Malina, but also because in discussing issues of poetic form with Ian Hamilton Finlay and others, both Mike and I had come to the conclusion that kinetic art provided a very interesting parallel track to concrete art and Concrete poetry, not only in that their origins were similar, the origins of the modern movement with people like Malevich and more recently Vasarely or Max Bill … (\u003ci\u003eFrom Cambridge to Brighton: Concrete poetry in Britain, an interview with Stephen Bann\u003c\/i\u003e by Gustavo Grandal Montero, online). Ian Hamilton Finlay played an important role in this artistic literary scene in Cambridge at the time. Reg Gadney contributed to this \u003ci\u003eGranta \u003c\/i\u003e issue an article on the kinetic art of Yaacov Agam, Stephen Bann reports on debates about pop art in Paris, and there is a \u003ci\u003eSemiotic Poem\u003c\/i\u003e by Luiz Angelo Pinto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2121782\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":55402788454777,"sku":"2121782","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2121782.jpg?v=1743680382"},{"product_id":"breer-robert-image-par-images","title":"BREER, Robert. Image par images.","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eInscribed by Breer to Hans Richter\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBREER, Robert.\u003c\/strong\u003e Image par images. \u003ci\u003eParis: Galerie Denise René.\u003c\/i\u003e 1955.\u003c\/p\u003e\n\u003cp\u003e12 x 9 cm. Flip book in original black paper covers; approx 100 leaves creating an animated sequence of abstract shapes; very good.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst edition, inscribed by Breer to Hans Richter.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis book was published for the pioneering \"Le Mouvement\" exhibition at Galerie Denise Rene, which was the first kinetic art show in Paris. The American artist Robert Breer (1926-2011) was renowned for his experiments in animation. Known as the \"kinetic poet of the avant garde\" he worked across many of the great movements of the twentieth century and within a huge array of genres. His films often feature abstract images careering across the screen, a style which is represented in this flip book.\u003c\/p\u003e\n\u003cp\u003eBreer first signed with Denise René in 1955 and found himself at the epicentre of the Parisian avant garde. Partly inspired by his father's work as an engineer for Chrysler, he found that his art was most successful when it dealt with movement and moved away from painting to film-making and other more kinetic forms. He was a natural fit for \"Le Mouvement\", in which he and other important avant garde figures such as Victor Vasarelt and Pontus Hulten displayed their experiments in motion and caused an artistic sensation.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eProvenance\u003c\/i\u003e: first leaf \u003cstrong\u003einscribed by Breer to Hans Richter\u003c\/strong\u003e, the Dadaist painter, film-maker and art historian. As a film-maker Breer acknowledged a debt to Richter: \"Of course, I was excited to meet Hans; his early abstract “Rhythmus” films from the 1920s, their play with figure and ground, clearly influenced my early “Form Phases” series.\" (Interview with Michelle Kuo). 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All works were on loan from the artist unless otherwise stated.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMurray 8.6\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2122219\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":55342785954169,"sku":"2122219","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2122219.jpg?v=1750078033"},{"product_id":"hamilton-finlay-ian-ian-hamilton-finlay-edinburgh-2005-n","title":"HAMILTON FINLAY, Ian. Ian Hamilton Finlay Edinburgh 2005.","description":"\u003cp\u003e\u003cstrong\u003eHAMILTON FINLAY, Ian.\u003c\/strong\u003e Ian Hamilton Finlay Edinburgh 2005. \u003ci\u003e Edinburgh: Ingleby Gallery\/ Edinburgh Art Festival\/Inverleith House. \u003c\/i\u003e 2005.\u003c\/p\u003e\n\u003cp\u003e233 × 183 mm. Glossy folded sheet.\u003c\/p\u003e\n\u003cp\u003eBrochure published for Finlay’s 80 th birthday, celebrating various exhibitions across Edinburgh (at Inverleith House, Ingleby Gallery and the Scottish Poetry Library). The poem A Birthday for ihf by Edwin Morgan is inserted loose.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2122230\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":55342786052473,"sku":"2122230","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2122230.jpg?v=1750078038"},{"product_id":"hamilton-finlay-ian-ian-hamilton-finlay","title":"HAMILTON FINLAY, Ian. Ian Hamilton Finlay.","description":"\u003cp\u003e\u003cstrong\u003eHAMILTON FINLAY, Ian.\u003c\/strong\u003e Ian Hamilton Finlay. \u003ci\u003e Stephen Bann (Preface), London: Victoria Miro Gallery. \u003c\/i\u003e 1986.\u003c\/p\u003e\n\u003cp\u003e208 × 225 mm. Publisher’s stapled wrappers.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the Finlay exhibition at Victoria Miro Gallery, 29 May – 5 July, 1986.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2122237\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":55342786150777,"sku":"2122237","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2122237.jpg?v=1750078042"},{"product_id":"hamilton-finlay-ian-ian-hamilton-finlay-press-release","title":"HAMILTON FINLAY, Ian. Ian Hamilton Finlay. [Press Release].","description":"\u003cp\u003e\u003cstrong\u003eHAMILTON FINLAY, Ian.\u003c\/strong\u003e Ian Hamilton Finlay. [Press Release]. \u003ci\u003e Yves Abrioux, et al. Bibliothque Nationale \/ British Council \/ Galerie Claire Burrus \/ Fondation Cartier. \u003c\/i\u003e 1987.\u003c\/p\u003e\n\u003cp\u003e330 × 210 mm. Publisher’s  cream portfolio with printed titles in blue. Loose A4 documents, some stapled.\u003c\/p\u003e\n\u003cp\u003ePress release folder for a series of Ian Hamilton Finlay exhibitions held in Paris, 1987: Midway at the Bibliothèque Nationale (18 September – 31 October), Pastorales at Galerie Claire Burrus (19 September – 19 November) and Poursuites Rvolutionnaires at the Fondation Cartier (20 September – 13 December). 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Twice-folded card.\u003c\/p\u003e\n\u003cp\u003eLeporello exhibition guide, printed on the occasion of the Ian Hamilton Finlay exhibition at the ica, London from 13 February–5 April 1992.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2122231\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":55342786347385,"sku":"2122231","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2122231.jpg?v=1750078056"},{"product_id":"hamilton-finlay-ian-les-hirondelles","title":"HAMILTON FINLAY, Ian. Les Hirondelles.","description":"\u003cp\u003e\u003cstrong\u003eHAMILTON FINLAY, Ian.\u003c\/strong\u003e Les Hirondelles. \u003ci\u003e With Ron Costley. \u003c\/i\u003e 1970.\u003c\/p\u003e\n\u003cp\u003e148 × 105 mm.\u003c\/p\u003e\n\u003cp\u003eSilkscreen-printed postcard.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMurray 4.29\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2122205\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":55342786740601,"sku":"2122205","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2122205.jpg?v=1750078077"},{"product_id":"hamilton-finlay-ian-rapel-10-fauve-and-suprematist-poems","title":"HAMILTON FINLAY, Ian. 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Nevertheless, one might fear that the transposition of its technique into the sphere of poetry half a century later would turn out to be a little more than a mannerist exercise. Not so in Finlayʼs case. In A Peach an Apple […] he gives the cubist idiom a semantic function, ceebrating the still life represented in the poem: “eatable table apple”. 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The mode was devised by Finlay in the mid-1960s … Finlay observes that “It seemed obvious to me that one could not have a literally one-word poem on the page, since any work must contain a relationship; equally, one could (conceivably) have a one-word poem in a garden, if the surroundings were conceived as part of the poem.”’ (Yves Abrioux).\u003c\/p\u003e\n\u003cp\u003e‘The scope of \u003ci\u003eP.O.T.H.\u003c\/i\u003e was formidable. It is difficult enough to think of any other poetry sheet so simple and yet delighful, let alone consider that it bought together such names as Ad Reinhardt, Earl Haig, Charles Biederman, Pierre Albert-Birot, Theodore Enslin and Bridget Riley… \u003ci\u003eP.O.T.H.\u003c\/i\u003e had far more variety and range than the combination of Ian Hamilton Finlay and concrete poetry might suggest. 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Publisher’s stapled wrappers with printed dust jacket; pp.32.\u003c\/p\u003e\n\u003cp\u003eThe fifth edition of this work.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMurray 3.3\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e2122220\u003c\/p\u003e","brand":"Sotherans","offers":[{"title":"Default Title","offer_id":56049054384505,"sku":"2122220","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/2178\/7426\/files\/2122220_0dfce350-e6f6-416b-afef-5562c86c2787.jpg?v=1759570833"},{"product_id":"wolman-gil-j-l-homme-separe-1","title":"WOLMAN, Gil J. L’Homme séparé. Inédits manuscrits.","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eThe Separation of Man (and Text)\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWOLMAN, Gil J.\u003c\/strong\u003e L’Homme séparé. Inédits manuscrits. \u003ci\u003eParis: Chez Nane Stern\u003c\/i\u003e. 1979.\u003c\/p\u003e\n\u003cp\u003e4to. Original printed wrappers; ff. [31], printed on recycled paper to rectos only; a few minor paperflaws not affecting legibility; very good.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst edition, very rare, no. vii of 150 copies and one of the first twenty copies printed on recycled paper, of the first artist’s book by Gil Wolman, co-founder with Guy Debord of the Lettrist International (1952), signed by the artist.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOn the occasion of the publication of the work by gallerist Nane Stern, the gallery ‘also exhibited a plastic version in 29 frames with the texts written in ink on separate and overlaid sheets of tracing paper, in order to disturb the reading, as in his old Lettrist works, albeit in an altogether different way. This emblematic Wolman work showed once more that he was thinking simultaneously as a poet and as an artist’ (Acquaviva, ‘Wolman in the Open’ (2010)).\u003c\/p\u003e\n\u003cp\u003eThis blazing piece illustrates his concept of ‘separation’ and is, in many ways, closer to the Situationist International than to Lettrism. 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