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A trade edition appears in cloth with a dust wrapper.\u003c\/p\u003e\n\u003cp\u003e\"I am honoured and delighted to contribute pictures from my private collection for this book, celebrating Eve Arnold in her 100th year.  Zelda Cheatle introduced me to Eve Arnold in 2004 and I was captivated by her charm, intellect and wit.  With a sparkle in her eye she recounted stories of her pictures, making the images come alive and forever committed to memory.\u003c\/p\u003e\n\u003cp\u003eI had been discussing with Zelda for many years how best to present Eve's work, the lesser known pictures, perhaps Asia, perhaps the civil rights movement.  Working with Stuart Smith has contributed significantly to the final selection for the book.\u003c\/p\u003e\n\u003cp\u003eAt the very start of the project, Hanan Al-Shaykh wrote a special poem for Eve, to celebrate Eve's 100th birthday. 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Illustrated with cartoons of Caruso by Ryan Walker  Repaired closed tear to fore-edge of one page, otherwise a very good copy.\u003c\/p\u003e\n\u003cp\u003eThe programme for the dinner given in homour of Enrico Caruso by the Friars Club on Sunday November 26th 1916.  The evening included a rendition of the Friar Song and an Entertainment arranged by Irving Berlin and Jean Havez.\u003c\/p\u003e\n\u003cp\u003eWith a broadsheet, 220 x 305mm, printed for the event.  On one side is a photographic portrait of Caruso surrounded by a collection of cavorting cartoon Friars by Ryan Walker.  The reverse shows a printed cartoon of Caruso dancing on a grand paino by Hoban.  This is inscribed in ink by Caruso \"\"To Pizzarello \/ Merry \/ Christmas \/ Enrico Caruso\". Pale spotting and some minor edgewear, very good.\u003c\/p\u003e\n\u003cp\u003eAlso, with another broadsheet with a printed caricature of Caruso in costume banging a drum, by F.T. 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A contemporary history, it was subjected to censorship by the Privy Council. In this facsimile edition, a compilation based on this portion of the \"Chronicles\" in copies in the Huntington's collection as well as the British Library and Cambridge University Library, censored and substituted passages are represented between two covers for the first time. Professor Clegg provides a historical introduction and demonstrates that the censorship took place in three stages. Libraries around the world will be able to identify and describe the copies in their own collections based on the information provided. The \"Chronicles\", a scrupulously produced monument to Elizabeth, is also a rich source for the study of printing practices. The base text is an unusual copy in the Huntington Library containing the largest sample of proofmarkings that survive from the sixteenth century. 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